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Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
Playtime at the Pavilions: Carmody Groarke at Dulwich Picture Gallery
Rob Fiehn
From Bauhaus to birdhouse: world famous architects’ avian designs for charity
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Jesse Darling at the Turner Prize: a civic waste land
Anthropomorphism
,
Barbed wire
,
Barrier
,
Body
,
Billboard
,
Bunting
,
Civic
,
Control
,
Jesse Darling
,
Enclosure
,
Infrastructure
,
Installation
,
Ladder
,
Maypole
,
Power
,
Ritual
,
Rollercoaster
,
Sculpture
,
Society
,
Surveillance
,
Tate
,
The Turner Prize
,
Threshold
,
Towner Eastbourne
00078
Danielle Brathwaite-Shirley: worldbuilding a cyberpunk playground
Will Jennings
The Bandidos
,
Bus stop
,
Computer
,
Cyberpunk
,
Danielle Brathwaite-Shirley
,
Cities
,
Digital
,
Environment
,
FACT
,
Games
,
Immersive
,
Liverpool
,
Mediation
,
Participation
,
Politics
,
Rollercoaster
,
Swings
,
Urban
,
Video games
,
Youth
,
Youth club
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NEWSLETTER
INDEX
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Venice
Biennale 2025: part 2,
the b
Venice
Biennale 2025: part 1,
the good
