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Cerith Wyn Evans  glows in MAAT, Lisbon

Will Jennings

Ursula K Le Guin’s speculative cartography

Sam Moore

The house as self-portrait: John Soane’s words through an artistic gaze

Rochelle Roberts

The Orobie Biennial puts art into the Bergamasque Prealps

Will Jennings

recessed.space: Ground Collective communicate with silent rivers

Venice Biennale 2025: part 3, the
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00116
Sculpting the urban guts: an interview with Holly Hendry

Joseph Bazalgette, Brexit, Cartoon, Comic, Covid, De La Warr Pavilion, Earth, Engineering, Fear, Flow, Goldsmiths CCA, Holly Hendry, Horror, London, Pipes, Sewerage, Sewer, Temple, The CoLAB, Thames Tideway Tunnel, The Artists Garden, theCoLAB, Underground, Ventilation, Who Framed Roger Rabit, Wave, Weave, Worms



   

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