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You’re all invited to Jeremy Deller’s public party

Folkestone Triennial looks deep in time, land & sea
At Stanford’s Cantor Arts Center, an exhibition viscerally presents the broken environments mankind’s progress has created

Will Jennings
Announcing Hypha Studios x recessed.space: an open call to exhibit in a postmodern icon
Manchester International Festival kicks off with an eclectic array of culture
How Uzbekistan’s incredible Sun Heliocomplex brought light to Venice Biennale

Will Jennings













00116
Sculpting the urban guts: an interview with Holly Hendry

Joseph Bazalgette, Brexit, Cartoon, Comic, Covid, De La Warr Pavilion, Earth, Engineering, Fear, Flow, Goldsmiths CCA, Holly Hendry, Horror, London, Pipes, Sewerage, Sewer, Temple, The CoLAB, Thames Tideway Tunnel, The Artists Garden, theCoLAB, Underground, Ventilation, Who Framed Roger Rabit, Wave, Weave, Worms



00091
Pilvi Takala’s cosplay critique of the neoliberal workplace

Will Wiles

Sophie Calle, Cosplay, Deloitte, Desk, Email, Film, Goldsmiths CCA, Mirror, Neoliberalism, Office, Tim Robinson, Roleplay, Second Home, Security, SelgasCano, Shopping centre, Pilvi Takala, Tea Dance, Touching, Venice Biennale, WhatsApp, Will Wiles, Workplace



00050
Echoing the architecture: Trevor Mathison’s sculpted sound

Robert Barry

Martina Attille, Reece Auguiste, John Akomfrah, Assemble, Robert Barry, Maureen Blackwood, Appau Jnr Boakye-Yiadom, Ceddo Film and Video Workshop, Collage, Dubmorphology, Film, Oliver Fuke, Edward George, Goldsmiths CCA, Lina Gopaul, Handsworth Songs, Isaac Julien, Nadine Marsh-Edwards, Trevor Mathison, Music, Patina, Recording, Sankofa Film and Video Collective, Gary Stewart, Sonic, Sound, Strata, Paloma Strelitz



   

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