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A biennale that makes all the right calls: MOMENTUM 13 in Norway
Art

Robert Barry
An interview with Peter Cook about Archigram, drawing & building
Delaine Le Bas is stitching stories at Newcastle Contemporary Art

Will Jennings
Burn the Sheets: an exhibition on the making of trans domesticity

Barney Pau
Goodwood & the art of slowing down
Venice Biennale, 28 days later

Yuki Sumner













00116
Sculpting the urban guts: an interview with Holly Hendry

Joseph Bazalgette, Brexit, Cartoon, Comic, Covid, De La Warr Pavilion, Earth, Engineering, Fear, Flow, Goldsmiths CCA, Holly Hendry, Horror, London, Pipes, Sewerage, Sewer, Temple, The CoLAB, Thames Tideway Tunnel, The Artists Garden, theCoLAB, Underground, Ventilation, Who Framed Roger Rabit, Wave, Weave, Worms



00091
Pilvi Takala’s cosplay critique of the neoliberal workplace

Will Wiles

Sophie Calle, Cosplay, Deloitte, Desk, Email, Film, Goldsmiths CCA, Mirror, Neoliberalism, Office, Tim Robinson, Roleplay, Second Home, Security, SelgasCano, Shopping centre, Pilvi Takala, Tea Dance, Touching, Venice Biennale, WhatsApp, Will Wiles, Workplace



00050
Echoing the architecture: Trevor Mathison’s sculpted sound

Robert Barry

Martina Attille, Reece Auguiste, John Akomfrah, Assemble, Robert Barry, Maureen Blackwood, Appau Jnr Boakye-Yiadom, Ceddo Film and Video Workshop, Collage, Dubmorphology, Film, Oliver Fuke, Edward George, Goldsmiths CCA, Lina Gopaul, Handsworth Songs, Isaac Julien, Nadine Marsh-Edwards, Trevor Mathison, Music, Patina, Recording, Sankofa Film and Video Collective, Gary Stewart, Sonic, Sound, Strata, Paloma Strelitz



   

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