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Fragments of histories & futures explored on the Greek island of Samos

Will Jennings

Gaudí, Miró & Gomis at Casa Batlló: three artists in Barcelona
An interview with Sumayya Vally on architecture, community & Ibraaz

Swinging in the gallery: art meets golf at Battersea Arts Centre

An interview with Lord Cholmondeley on Houghton Hall’s history & future of contemporary art


Will Jennings

Listening to 17,000-year-old architecture: Oliver Beer at Thaddaeus Ropa
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Will Jennings










00116
Sculpting the urban guts: an interview with Holly Hendry

Joseph Bazalgette, Brexit, Cartoon, Comic, Covid, De La Warr Pavilion, Earth, Engineering, Fear, Flow, Goldsmiths CCA, Holly Hendry, Horror, London, Pipes, Sewerage, Sewer, Temple, The CoLAB, Thames Tideway Tunnel, The Artists Garden, theCoLAB, Underground, Ventilation, Who Framed Roger Rabit, Wave, Weave, Worms



00091
Pilvi Takala’s cosplay critique of the neoliberal workplace

Will Wiles

Sophie Calle, Cosplay, Deloitte, Desk, Email, Film, Goldsmiths CCA, Mirror, Neoliberalism, Office, Tim Robinson, Roleplay, Second Home, Security, SelgasCano, Shopping centre, Pilvi Takala, Tea Dance, Touching, Venice Biennale, WhatsApp, Will Wiles, Workplace



00050
Echoing the architecture: Trevor Mathison’s sculpted sound

Robert Barry

Martina Attille, Reece Auguiste, John Akomfrah, Assemble, Robert Barry, Maureen Blackwood, Appau Jnr Boakye-Yiadom, Ceddo Film and Video Workshop, Collage, Dubmorphology, Film, Oliver Fuke, Edward George, Goldsmiths CCA, Lina Gopaul, Handsworth Songs, Isaac Julien, Nadine Marsh-Edwards, Trevor Mathison, Music, Patina, Recording, Sankofa Film and Video Collective, Gary Stewart, Sonic, Sound, Strata, Paloma Strelitz



   

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