︎
Post-industrial clay: the British Ceramics Biennial in Stoke-on-Trent
Veronica Simpson
Tolia Astakhishvili’s architectural excavation in Venice changes the way artists use the city
Will Jennings
An interview with Derrick Adams on the spaces of Black America
A visit to Hauser & Wirth LA: architecture, gardens, food & art
Edinburgh Art Festival 2025: our highlights
Learning how to live at Venice Biennale
Rob Fiehn
00116
Sculpting the urban guts: an interview with Holly Hendry
Joseph Bazalgette
,
Brexit
,
Cartoon
,
Comic
,
Covid
,
De La Warr Pavilion
,
Earth
,
Engineering
,
Fear
,
Flow
,
Goldsmiths CCA
,
Holly Hendry
,
Horror
,
London
,
Pipes
,
Sewerage
,
Sewer
,
Temple
,
The CoLAB
,
Thames Tideway Tunnel
,
The Artists Garden
,
theCoLAB
,
Underground
,
Ventilation
,
Who Framed Roger Rabit
,
Wave
,
Weave
,
Worms
00091
Pilvi Takala’s cosplay critique of the neoliberal workplace
Will Wiles
Sophie Calle
,
Cosplay
,
Deloitte
,
Desk
,
Email
,
Film
,
Goldsmiths CCA
,
Mirror
,
Neoliberalism
,
Office
,
Tim Robinson
,
Roleplay
,
Second Home
,
Security
,
SelgasCan
o,
Shopping centre
,
Pilvi Takala
,
Tea Dance
,
Touching
,
Venice Biennale
,
WhatsApp
,
Will Wiles
,
Workplace
00050
Echoing the architecture: Trevor Mathison’s sculpted sound
Robert Barry
Martina Attille
,
Reece Auguiste
,
John Akomfrah
,
Assemble
,
Robert Barry
,
Maureen Blackwood
,
Appau Jnr Boakye-Yiadom
,
Ceddo Film and Video Workshop
,
Collage
,
Dubmorphology
,
Film
,
Oliver Fuke
,
Edward George
,
Goldsmiths CCA
,
Lina Gopaul
,
Handsworth Songs
,
Isaac Julien
,
Nadine Marsh-Edwards
,
Trevor Mathison
,
Music
,
Patina
,
Recording
,
Sankofa Film and Video Collective
,
Gary Stewart
,
Sonic
,
Sound
,
Strata
,
Paloma Strelitz
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