︎
Cerith Wyn Evans glows in MAAT, Lisbon
Will Jennings
Ursula K Le Guin’s speculative cartography
Sam Moore
The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
00259
The state of surveillance: at Ikon Gallery Mahtab Hussain considers Birmingham’s Muslim community & architecture
Anmol Ahuja
Adaption
,
Anmol Ahuja
,
Bench
,
Birmingham
,
Camera
,
CCTV
,
Documentation
,
Guy Gunaratne
,
Ikon Gallery
,
Islamophobia
,
Mahtab Hussain
,
Mosque
,
Muslim
,
Photography
,
Police
,
Queen Elizabeth Park
,
Surveillance
,
The Line
,
Alberto Toscano
,
West Midlands Police
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