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Burn the Sheets: an exhibition on the making of trans domesticity

Barney Pau
Goodwood & the art of slowing down
Venice Biennale, 28 days later

Yuki Sumner
Leonardo Drew has created a motionless explosion in the South London Gallery

Will Jennings

Empty chairs & liminal spaces: Alexandra Metcalf’s Gaaaaaaasp

Rochelle Roberts

V&A East Storehouse is a thrilling meta-museum for the future

Will Jennings













00259
The state of surveillance: at Ikon Gallery Mahtab Hussain considers Birmingham’s Muslim community & architecture

Anmol Ahuja

Adaption, Anmol Ahuja, Bench, Birmingham, Camera, CCTV, Documentation, Guy Gunaratne, Ikon Gallery, Islamophobia, Mahtab Hussain, Mosque, Muslim, Photography, Police, Queen Elizabeth Park, Surveillance, The Line, Alberto Toscano, West Midlands Police



00099
Carey Young: making space

Will Jennings

Camera,Capitalism, Commons, Court, John Dee, Factory, Film, Gender, Judge, Invisible, Will Jennings, Law, Legal, Lens, Male gaze, Mirror, Modern Art Oxford, Palais de Justice, Photography, Joseph Poelaert, Politics, Power, Reflection, WG Sebald, Sigma,Edward Soja, Space, Spatial, Text, Andy Warhol, Women, Carey Young



00062
IMAGE CAPITAL: Architectural cameras & photographic values

Will Jennings

AI, Artificial intelligence, Bettmann Archive, Estelle Blaschke, Camera, Capital, Cars, Carpaccio, CERN, Centre Pompidou, Corbis, Data, Data storage, Deutsche Börse, Charles Ebbets, Ephemerality, Museum Folkwang, Github, Github Arctic Code Vault, Will Jennings, Gustav Ludwig, Iron Mountain, Life Magazine, Armin Linke, Lunch atop a skyscraper, Machine learning, Fondazione MAST, Memory, Mining, Photography, Plantonomy, Pyramids, Saint Ursula Cycle, Science, Scuola di Sant Orsola, Skyscraper, Smart City, Storage, Surveillance, Taj Mahal, Tar Laak Orchids, Technology, Value, Francesco Zanot



   

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