︎
The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
00284
You’re all invited to Jeremy Deller’s public party
Birthday
,
Cake
,
Civic
,
Jeremy Deller
,
Derry-Londonderry
,
Duncan of Jordanstone College of Art & Design
,
Dundee
,
Festival
,
Norman Foster
,
National Gallery
,
Nelson's Column
,
William Kent
,
LLandudno
,
London
,
Mostyn
,
John Nash
,
Party
,
Plymouth
,
Protest
,
Public
,
Tea
,
The Box
,
The Playhouse
,
Trafalgar Square
,
William Watkins
00128
SH*T FACED: Lindsey Mendick’s ceramic self-reflection at Jupiter Artland
Will Jennings
Alcohol
,
Animals
,
Baroque
,
Binge drinking
,
Ceramics
,
Cigarettes
,
Dancing
,
Dovecot
,
Edinburgh
,
Edinburgh Art Festival
,
Film
,
Fungi
,
Will Jennings
,
Jupiter Artland
,
Lindsey Mendick
,
Monsters
,
Nighclub
,
Guy Oliver
,
Party
,
Rococo
,
Sculpture
,
Toilet
,
Urinals
,
Quench Gallery
TRAVEL
ABOUT
NEWSLETTER
INDEX
︎
