︎
A biennale that makes all the right calls: MOMENTUM 13 in Norway
Art

Robert Barry
An interview with Peter Cook about Archigram, drawing & building
Delaine Le Bas is stitching stories at Newcastle Contemporary Art

Will Jennings
Burn the Sheets: an exhibition on the making of trans domesticity

Barney Pau
Goodwood & the art of slowing down
Venice Biennale, 28 days later

Yuki Sumner













00212
An invitation into the sublime: the imaginary architectures of Al Held & Minoru Nomata

Will Jennings

9/11, AI, Archigram, Étienne-Louis Boullée, Colour, Constantin Brâncuși, Pieter Bruegel, Charles Burton, Climate, Crisis, Decay, Destruction, Peter Eisenman, Emptiness, Brian Eno, MC Escher, Exploration, Fukushima, Geometry, Zaha Hadid, Al Held, Hyperspace, Will Jennings, Landscape, Erich Mendelsohn, Oscar Niemeyer, Minoru Nomata, Painting, Joseph Paxton, IM Pei, Post apocalyptic, Reality, Bridget Riley, Richard Serra, Sinister, Robert Smithson, Sublime, Superstudio, Tokyo, Tokyo Tower, Tower, Twin Towers, Victor Vasarely, Robert Venturi, White Cube



00151
Humanise, by Thomas Heatherwick: a polemic against brainwashed architects

Karrie Jacobs

Architects, Architecture, Boringness, Richard Brautigan, Cities, Le Corbusier, Craft, Craftsmen, Antoni Gaudí, Robert Gifford, Ernő Goldfinger, Abby Hoffman, Humanise, Freidrich Hundertwasser, Thomas Heatherwick, Heatherwick Studios, Jane Jacobs, Karrie Jacobs, Makers, New York City, Penguin Books, Psychology, Robert Venturi, The Vessel, Watermelons



   

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