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An interview with Sumayya Vally on architecture, community & Ibraaz

Swinging in the gallery: art meets golf at Battersea Arts Centre

An interview with Lord Cholmondeley on Houghton Hall’s history & future of contemporary art


Will Jennings

Listening to 17,000-year-old architecture: Oliver Beer at Thaddaeus Ropa
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Will Jennings

Curiosity triggered: Daiga Grantina’s sculptures dance with architecture at the Mead Gallery

Isabel de Vasconcellos

The Grand in Folkestone: ambitious plans for a Barbican-by-the-Sea










00212
An invitation into the sublime: the imaginary architectures of Al Held & Minoru Nomata

Will Jennings

9/11, AI, Archigram, Étienne-Louis Boullée, Colour, Constantin Brâncuși, Pieter Bruegel, Charles Burton, Climate, Crisis, Decay, Destruction, Peter Eisenman, Emptiness, Brian Eno, MC Escher, Exploration, Fukushima, Geometry, Zaha Hadid, Al Held, Hyperspace, Will Jennings, Landscape, Erich Mendelsohn, Oscar Niemeyer, Minoru Nomata, Painting, Joseph Paxton, IM Pei, Post apocalyptic, Reality, Bridget Riley, Richard Serra, Sinister, Robert Smithson, Sublime, Superstudio, Tokyo, Tokyo Tower, Tower, Twin Towers, Victor Vasarely, Robert Venturi, White Cube



00151
Humanise, by Thomas Heatherwick: a polemic against brainwashed architects

Karrie Jacobs

Architects, Architecture, Boringness, Richard Brautigan, Cities, Le Corbusier, Craft, Craftsmen, Antoni Gaudí, Robert Gifford, Ernő Goldfinger, Abby Hoffman, Humanise, Freidrich Hundertwasser, Thomas Heatherwick, Heatherwick Studios, Jane Jacobs, Karrie Jacobs, Makers, New York City, Penguin Books, Psychology, Robert Venturi, The Vessel, Watermelons



   

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