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An interview with Derrick Adams on the spaces of Black America
A visit to Hauser & Wirth LA: architecture, gardens, food & art
Edinburgh Art Festival 2025: our highlights
Learning how to live at Venice Biennale

Rob Fiehn
The country’s newest stone circle has been created in Luton as a space for gathering & community

Will Jennings
An interview with Ronald Rael about 3d printed mud architecture at Desert X












00212
An invitation into the sublime: the imaginary architectures of Al Held & Minoru Nomata

Will Jennings

9/11, AI, Archigram, Étienne-Louis Boullée, Colour, Constantin Brâncuși, Pieter Bruegel, Charles Burton, Climate, Crisis, Decay, Destruction, Peter Eisenman, Emptiness, Brian Eno, MC Escher, Exploration, Fukushima, Geometry, Zaha Hadid, Al Held, Hyperspace, Will Jennings, Landscape, Erich Mendelsohn, Oscar Niemeyer, Minoru Nomata, Painting, Joseph Paxton, IM Pei, Post apocalyptic, Reality, Bridget Riley, Richard Serra, Sinister, Robert Smithson, Sublime, Superstudio, Tokyo, Tokyo Tower, Tower, Twin Towers, Victor Vasarely, Robert Venturi, White Cube



00151
Humanise, by Thomas Heatherwick: a polemic against brainwashed architects

Karrie Jacobs

Architects, Architecture, Boringness, Richard Brautigan, Cities, Le Corbusier, Craft, Craftsmen, Antoni Gaudí, Robert Gifford, Ernő Goldfinger, Abby Hoffman, Humanise, Freidrich Hundertwasser, Thomas Heatherwick, Heatherwick Studios, Jane Jacobs, Karrie Jacobs, Makers, New York City, Penguin Books, Psychology, Robert Venturi, The Vessel, Watermelons



   

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