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Helmut Lang’s bodily sculptures speak to the fragility of LA’s Schindler House

Will Jennings

Despite everything, Valentina Karga invites us to be well at Kunstmuseum Bochum

Alison Hugill

An interview with Kengo Kuma about his design for Lisbon’s Centro de Arte Moderna Gulbenkian

Will Jennings

A dislocated image of 14th century Siena at the National Gallery

Tom Denman

Marshmallow Laser Feast have created an immersive study of one of Kew Gardens’ oldest trees

Will Jennings

10 galleries you should know about from Miart 2025 in Milan













00212
An invitation into the sublime: the imaginary architectures of Al Held & Minoru Nomata

Will Jennings

9/11, AI, Archigram, Étienne-Louis Boullée, Colour, Constantin Brâncuși, Pieter Bruegel, Charles Burton, Climate, Crisis, Decay, Destruction, Peter Eisenman, Emptiness, Brian Eno, MC Escher, Exploration, Fukushima, Geometry, Zaha Hadid, Al Held, Hyperspace, Will Jennings, Landscape, Erich Mendelsohn, Oscar Niemeyer, Minoru Nomata, Painting, Joseph Paxton, IM Pei, Post apocalyptic, Reality, Bridget Riley, Richard Serra, Sinister, Robert Smithson, Sublime, Superstudio, Tokyo, Tokyo Tower, Tower, Twin Towers, Victor Vasarely, Robert Venturi, White Cube



00159
Antony Gormley’s Body Politic, in the artist’s own words

Body, Civil engineering, Clay, Concrete, Corten steel, Engineering, Geometry, Antony Gormley, Manufacturing, Napoleon, Bruce Nauman, Process, Sculpture, Steel, Threshold, White Cube



00020
Places of nowhere & everywhere: Mike Nelson & Isamu Noguchi

Matthew Turner

Anthropocene, Architecture, Robert Carson, Joan Didion, Michel Foucault, Matt’s Gallery, Interior, Gerald Murnane, Nature, Mike Nelson, New York, Isamu Noguchi, Nonplace, Place, Sculpture, Travel, Matthew Turner, White Cube



00004
Sarah Morris’ Osaka city symphony

Will Jennings

Artwork, Film, Japan, Sarah Morris, Osaka, Sakura, White Cube, Will Jennings



   

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