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From Bauhaus to birdhouse: world famous architects’ avian designs for charity

In search of oracular places at the 36th Ljubljana Biennale of Graphic Arts

Lorenzo Graf
Riccardo Buck

An interview with Mike Nelson on architectural sculpture & the making of place

Hypha Studios x recessed.space: Nina Oltarzewska is turning art inside
out

Will Jennings

Our highlights from Berlin Art Week 2025
Post-industrial clay: the British Ceramics Biennial in Stoke-on-Trent

Veronica Simpson

 











00212
An invitation into the sublime: the imaginary architectures of Al Held & Minoru Nomata

Will Jennings

9/11, AI, Archigram, Étienne-Louis Boullée, Colour, Constantin Brâncuși, Pieter Bruegel, Charles Burton, Climate, Crisis, Decay, Destruction, Peter Eisenman, Emptiness, Brian Eno, MC Escher, Exploration, Fukushima, Geometry, Zaha Hadid, Al Held, Hyperspace, Will Jennings, Landscape, Erich Mendelsohn, Oscar Niemeyer, Minoru Nomata, Painting, Joseph Paxton, IM Pei, Post apocalyptic, Reality, Bridget Riley, Richard Serra, Sinister, Robert Smithson, Sublime, Superstudio, Tokyo, Tokyo Tower, Tower, Twin Towers, Victor Vasarely, Robert Venturi, White Cube



00159
Antony Gormley’s Body Politic, in the artist’s own words

Body, Civil engineering, Clay, Concrete, Corten steel, Engineering, Geometry, Antony Gormley, Manufacturing, Napoleon, Bruce Nauman, Process, Sculpture, Steel, Threshold, White Cube



00020
Places of nowhere & everywhere: Mike Nelson & Isamu Noguchi

Matthew Turner

Anthropocene, Architecture, Robert Carson, Joan Didion, Michel Foucault, Matt’s Gallery, Interior, Gerald Murnane, Nature, Mike Nelson, New York, Isamu Noguchi, Nonplace, Place, Sculpture, Travel, Matthew Turner, White Cube



00004
Sarah Morris’ Osaka city symphony

Will Jennings

Artwork, Film, Japan, Sarah Morris, Osaka, Sakura, White Cube, Will Jennings



   

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