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Cerith Wyn Evans glows in MAAT, Lisbon
Will Jennings
Ursula K Le Guin’s speculative cartography
Sam Moore
The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
00034
Play what you can: Assemble interpreting Lina Bo Bardi
Ruby Allison
Ruby Allison
,
Assemble
,
Collaboration
,
Laura Eldret
,
Interactive
,
Language
,
Lina Bo Bardi
,
Nottingham Contemporary
,
Play
,
Peter Rumney
,
Schools
,
Schools of Tomorrow
,
Sculpture
,
Sian W Taylor
,
Charlotte Tupper
,
Workshop
,
Writing
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