︎
recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00203
Our architectural highlights from the Royal Academy Summer Exhibition
Hurvin Anderson
,
Assemble
,
Bob and Roberta Smith
,
Richard Chivers
,
Esther Cohen
,
Claire Douglass
,
Celia Hegedus
,
Daniel Hewitt
,
Matt Lee
,
Lee Maelzer
,
Jock McFadyen
,
Martin Migeon
,
Cornelia Parker
,
Catherine Purves
,
Baldvin Ringsted
,
Royal Academy of Arts
,
Kate Sherman
,
Summer Exhibition
,
Peter Wylie
,
Carey Young
00050
Echoing the architecture: Trevor Mathison’s sculpted sound
Robert Barry
Martina Attille
,
Reece Auguiste
,
John Akomfrah
,
Assemble
,
Robert Barry
,
Maureen Blackwood
,
Appau Jnr Boakye-Yiadom
,
Ceddo Film and Video Workshop
,
Collage
,
Dubmorphology
,
Film
,
Oliver Fuke
,
Edward George
,
Goldsmiths CCA
,
Lina Gopaul
,
Handsworth Songs
,
Isaac Julien
,
Nadine Marsh-Edwards
,
Trevor Mathison
,
Music
,
Patina
,
Recording
,
Sankofa Film and Video Collective
,
Gary Stewart
,
Sonic
,
Sound
,
Strata
,
Paloma Strelitz
00034
Play what you can: Assemble interpreting Lina Bo Bardi
Ruby Allison
Ruby Allison
,
Assemble
,
Collaboration
,
Laura Eldret
,
Interactive
,
Language
,
Lina Bo Bardi
,
Nottingham Contemporary
,
Play
,
Peter Rumney
,
Schools
,
Schools of Tomorrow
,
Sculpture
,
Sian W Taylor
,
Charlotte Tupper
,
Workshop
,
Writing
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Venice
Biennale 2025: part 3,
the 
