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The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
00196
Venice 2024: Iceland’s Hildigunnur Birgisdóttir cartoonishly shows invisible systems
Advert
,
Hildigunnur Birgisdóttir
,
Dan Byers
,
Capitalism
,
Consumerism
,
Dollhouse
,
Ecosystem
,
GES-2
,
Iceland
,
Ragnar Kjartansson
,
Logos
,
Merz
,
Merzbau
,
Networks
,
Packaging
,
Phantasmagoria
,
Process
,
Kurt Schwitters
,
VAC Foundation
,
Value
,
Venice Biennale
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