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Edinburgh Art Festival 2025: our highlights
Learning how to live at Venice Biennale
Rob Fiehn
The country’s newest stone circle has been created in Luton as a space for gathering & community
Will Jennings
An interview with Ronald Rael about 3d printed mud architecture at Desert X
Discover the culture & spaces that influence leading artists in a new book by Ben Luke
Mark Leckey & Arthur Jafa summon ghosts into an ever-shifting shopping centre
Ellie Brown
00196
Venice 2024: Iceland’s Hildigunnur Birgisdóttir cartoonishly shows invisible systems
Advert
,
Hildigunnur Birgisdóttir
,
Dan Byers
,
Capitalism
,
Consumerism
,
Dollhouse
,
Ecosystem
,
GES-2
,
Iceland
,
Ragnar Kjartansson
,
Logos
,
Merz
,
Merzbau
,
Networks
,
Packaging
,
Phantasmagoria
,
Process
,
Kurt Schwitters
,
VAC Foundation
,
Value
,
Venice Biennale
00142
Material, form & process: Matt Rugg’s post-industrial sculptures
Will Jennings
Alvar Aalto
,
Apollo Pavilion
,
Assemblage
,
Cable
,
Chelsea School of Art
,
Cooling towers
,
Craft
,
Design
,
Education
,
Factories
,
Fencing
,
Richard Hamilton
,
Hatton Gallery
,
Industrial
,
Industry
,
Will Jennings
,
James Joyce
,
Metal
,
Merzbarn
,
Newcastle
,
Painting
,
Peterlee
,
Eduardo Paolozzi
,
Victor Pasmore
,
Plastic
,
Gerrit Rietveld
,
Matt Rugg
,
Kurt Schwitters
,
Sculpture
,
Steel
,
Tools
,
TS Eliot
,
Harriet Sutcliffe
,
University of Newcastle
,
Wire
,
Wood
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