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Fragments of histories & futures explored on the Greek island of Samos
Will Jennings
Gaudí, Miró & Gomis at Casa Batlló: three artists in Barcelona
An interview with Sumayya Vally on architecture, community & Ibraaz
Swinging in the gallery: art meets golf at Battersea Arts Centre
An interview with Lord Cholmondeley on Houghton Hall’s history & future of contemporary art
Will Jennings
Listening to 17,000-year-old architecture: Oliver Beer at Thaddaeus Ropa
c
Will Jennings
00196
Venice 2024: Iceland’s Hildigunnur Birgisdóttir cartoonishly shows invisible systems
Advert
,
Hildigunnur Birgisdóttir
,
Dan Byers
,
Capitalism
,
Consumerism
,
Dollhouse
,
Ecosystem
,
GES-2
,
Iceland
,
Ragnar Kjartansson
,
Logos
,
Merz
,
Merzbau
,
Networks
,
Packaging
,
Phantasmagoria
,
Process
,
Kurt Schwitters
,
VAC Foundation
,
Value
,
Venice Biennale
00142
Material, form & process: Matt Rugg’s post-industrial sculptures
Will Jennings
Alvar Aalto
,
Apollo Pavilion
,
Assemblage
,
Cable
,
Chelsea School of Art
,
Cooling towers
,
Craft
,
Design
,
Education
,
Factories
,
Fencing
,
Richard Hamilton
,
Hatton Gallery
,
Industrial
,
Industry
,
Will Jennings
,
James Joyce
,
Metal
,
Merzbarn
,
Newcastle
,
Painting
,
Peterlee
,
Eduardo Paolozzi
,
Victor Pasmore
,
Plastic
,
Gerrit Rietveld
,
Matt Rugg
,
Kurt Schwitters
,
Sculpture
,
Steel
,
Tools
,
TS Eliot
,
Harriet Sutcliffe
,
University of Newcastle
,
Wire
,
Wood
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