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Delaine Le Bas is stitching stories at Newcastle Contemporary Art

Will Jennings
Burn the Sheets: an exhibition on the making of trans domesticity

Barney Pau
Goodwood & the art of slowing down
Venice Biennale, 28 days later

Yuki Sumner
Leonardo Drew has created a motionless explosion in the South London Gallery

Will Jennings

Empty chairs & liminal spaces: Alexandra Metcalf’s Gaaaaaaasp

Rochelle Roberts













00196
Venice 2024: Iceland’s Hildigunnur Birgisdóttir cartoonishly shows invisible systems

Advert, Hildigunnur Birgisdóttir, Dan Byers, Capitalism, Consumerism, Dollhouse, Ecosystem, GES-2, Iceland, Ragnar Kjartansson, Logos, Merz, Merzbau, Networks, Packaging, Phantasmagoria, Process, Kurt Schwitters, VAC Foundation, Value, Venice Biennale



00142
Material, form & process: Matt Rugg’s post-industrial sculptures

Will Jennings

Alvar Aalto, Apollo Pavilion, Assemblage, Cable, Chelsea School of Art, Cooling towers, Craft, Design, Education, Factories, Fencing, Richard Hamilton, Hatton Gallery, Industrial, Industry, Will Jennings, James Joyce, Metal, Merzbarn, Newcastle, Painting, Peterlee, Eduardo Paolozzi, Victor Pasmore, Plastic, Gerrit Rietveld, Matt Rugg, Kurt Schwitters, Sculpture, Steel, Tools, TS Eliot, Harriet Sutcliffe, University of Newcastle, Wire, Wood



   

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