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Venice Biennale 2025: part 2, the bad
Venice Biennale 2025: part 1, the good

Temporary & permanent culture finds a place in Middlesbrough

Will Jennings

The recessed.space highlights from Frieze Art Fair 2025

Playtime at the Pavilions: Carmody Groarke at Dulwich Picture Gallery

Rob Fiehn

From Bauhaus to birdhouse: world famous architects’ avian designs for charity











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Venice 2024: Iceland’s Hildigunnur Birgisdóttir cartoonishly shows invisible systems

Advert, Hildigunnur Birgisdóttir, Dan Byers, Capitalism, Consumerism, Dollhouse, Ecosystem, GES-2, Iceland, Ragnar Kjartansson, Logos, Merz, Merzbau, Networks, Packaging, Phantasmagoria, Process, Kurt Schwitters, VAC Foundation, Value, Venice Biennale



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GDP (Gross Domestic Product), by Hildigunnur Birgisdóttir

Will Jennings

Archaeology, Capitalism, Domestic, Ges-2 House of Culture, Hildigunnur Birgisdóttir, Will Jennings, Ragnar Kjartansson, Objects, Products, Renzo Piano, Sculpture, Ingibjörg Sigurjónsdóttir



   

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