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Post-industrial clay: the British Ceramics Biennial in Stoke-on-Trent
Veronica Simpson
Tolia Astakhishvili’s architectural excavation in Venice changes the way artists use the city
Will Jennings
An interview with Derrick Adams on the spaces of Black America
A visit to Hauser & Wirth LA: architecture, gardens, food & art
Edinburgh Art Festival 2025: our highlights
Learning how to live at Venice Biennale
Rob Fiehn
00106
The poetry of everything: Massimo Bartolini’s musical scaffolding
Robert Barry
Alga Marghan
,
Robert Barry
,
Massimo Bartolini
,
Gavin Bryars
,
John Cage
,
Centro per l'Arte Contemporanea Luigi Pecci
,
Composition
,
Installation
,
Matteo da Prato
,
Massimo Drovandi
,
Samuele Frangioni
,
Fondazione Merz
,
Samuele Maffucci
,
Massimo di Carlo
,
Yari Mazza
,
Music
,
Music box
,
Áine O'Dwyer
,
Organ
,
Pipes
,
Scaffolding
,
Sculpture
,
Sound art,
Wind
,
Wind instrument
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