︎
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
Playtime at the Pavilions: Carmody Groarke at Dulwich Picture Gallery
Rob Fiehn
From Bauhaus to birdhouse: world famous architects’ avian designs for charity
In search of oracular places at the 36th Ljubljana Biennale of Graphic Arts
Lorenzo Graf
Riccardo Buck
00106
The poetry of everything: Massimo Bartolini’s musical scaffolding
Robert Barry
Alga Marghan
,
Robert Barry
,
Massimo Bartolini
,
Gavin Bryars
,
John Cage
,
Centro per l'Arte Contemporanea Luigi Pecci
,
Composition
,
Installation
,
Matteo da Prato
,
Massimo Drovandi
,
Samuele Frangioni
,
Fondazione Merz
,
Samuele Maffucci
,
Massimo di Carlo
,
Yari Mazza
,
Music
,
Music box
,
Áine O'Dwyer
,
Organ
,
Pipes
,
Scaffolding
,
Sculpture
,
Sound art,
Wind
,
Wind instrument
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︎
Venice
Biennale 2025: part 1,
the good
