︎
Kanal-Centre Pompidou in Brussels: a masterplan for culture
Will Jennings
At Edinburgh’s RSA, architect Richard Murphy looks at the generational family tree of design
Will Jennings
The John Soane x Minecraft collab that allows you to explore ancient architecture
Cerith Wyn Evans glows in MAAT, Lisbon
Will Jennings
Ursula K Le Guin’s speculative cartography
Sam Moore
The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
00304
Venice Biennale 2025: part 1, the good
Tea Ala-Ruona
,
AMO/OMA
,
Arsenale Institute for Political Representation
,
Tolia Astakhishvilli
,
Bahrain
,
John Baldessari
,
Barricades
,
Belgium
,
Bodies
,
Canada
,
Gaëlle Choisne
,
Albrecht Dürer
,
Fondazione Prada
,
Fondazione Querini Stampalia
,
Gallerie dell'Accademia
,
Giorgione
,
GRACE
,
Ireland
,
Rem Koolhaas
,
Living Room Collective
,
Luxembourg
,
Stefano Mancuso
,
Michelangelo
,
Montenegro
,
Museu Correr
,
Netherlands
,
Nicoletta Fiorucci Foundation
,
Nordic Pavilion
,
Hans Ulrich Obrist
,
OMA
,
Jorge Orta
,
Lucy Orta
,
Poland
,
Antonio Rizzo
,
Emir Šehanović
,
Serbia
,
Carlo Scarpa
,
Scuola Piccola Zattere
,
Harry Seidler
,
Slovenia
,
SMAC
,
Bas Smets
,
SPARC
,
Ivan Šuković
,
Sun Heliocomplex
,
Dejan Todorović
,
Uzbekistan
,
Venice
,
Venice Biennale
,
Leonardo da Vinci
,
Jung Youngsun
,
Miljana Zeković
00279
How Uzbekistan’s incredible Sun Heliocomplex brought light to Venice Biennale
Will Jennings
ACDF
,
Big Solar Furnace
,
Vladimir Burmakin
,
Giacomo Cantoni
,
Ekaterina Golovatyuk
,
Grace
,
Will Jennings
,
Armin Linke
,
Irena Lipene
,
Mirror
,
Science
,
Soviet Union
,
Sun Heliocomplex
,
Sun Institute of Material Science
,
Tashkent
,
Tashkent modernism
,
UNESCO
,
Uzbekistan
,
Uzbekistan Art and Culture Development Foundation
,
Venice Biennale
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