︎
The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
00224
Bharti Kher covers London’s Hayward Gallery in giant colourful bindis
Bharti Kher
,
Bindi
,
Consciousness
,
Cosmos
,
Hayward Gallery
,
London
,
Mirror
,
Public art
,
Rockbund Art Museum
,
Sculpture
,
Southbank Centre
,
Third eye
,
Waterloo Bridge
,
Yorkshire Sculpture Park
00154
London of the Future: the culture of the capital in 2123
Will Jennings
Roma Agrawal
,
Airport
,
Book
,
Chromaphotography
,
Culture
,
Mark Brearley
,
Gillian Darley
,
Engineering
,
The Festival of Britain
,
Rob Fiehn
,
Future
,
Greenbelt
,
Heritage
,
History
,
Chris Hopkinson
,
Sarah Ichioka
,
Will Jennings
,
Indy Johar
,
Jude Kelly
,
London
,
Merrell
,
Lord Montagu of Bealieu
,
Motorway
,
Peter Murray,
Adam Nathaniel Furman
,
Hugh Pearman
,
Planning
,
Radicalism
,
Neal Shasore
,
The South Bank
,
Southbank Centre
,
Squint Opera
,
The London Society
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