︎
Goodwood & the art of slowing down
Venice Biennale, 28 days later

Yuki Sumner
Leonardo Drew has created a motionless explosion in the South London Gallery

Will Jennings

Empty chairs & liminal spaces: Alexandra Metcalf’s Gaaaaaaasp

Rochelle Roberts

V&A East Storehouse is a thrilling meta-museum for the future

Will Jennings

Helmut Lang’s bodily sculptures speak to the fragility of LA’s Schindler House

Will Jennings













00224
Bharti Kher covers London’s Hayward Gallery in giant colourful bindis

Bharti Kher, Bindi, Consciousness, Cosmos, Hayward Gallery, London, Mirror, Public art, Rockbund Art Museum, Sculpture, Southbank Centre, Third eye, Waterloo Bridge, Yorkshire Sculpture Park



00105
Melting into air: Ann Veronica Janssens at Pirelli HangarBicocca

Will Jennings

Carl Andre, Architecture, Marshall Berman, Bernd and Hiller Becher, Bicocca degli Arcimboldi, Colour, Anne Teresa De Keersmaeker, Factory, Fog, Michel François, Fresco, Geometry, Glass, I-beam, Industry, Installation, Ann Veronica Janssens, Will Jennings, Anselm Kiefer, Light, Karl Marx, Material, Mirror, Modernism, Oscar Niemeyer, Pirelli HangarBicocca, Steve Reich, Smoke, Solidity, Sound



00099
Carey Young: making space

Will Jennings

Camera,Capitalism, Commons, Court, John Dee, Factory, Film, Gender, Judge, Invisible, Will Jennings, Law, Legal, Lens, Male gaze, Mirror, Modern Art Oxford, Palais de Justice, Photography, Joseph Poelaert, Politics, Power, Reflection, WG Sebald, Sigma,Edward Soja, Space, Spatial, Text, Andy Warhol, Women, Carey Young



00091
Pilvi Takala’s cosplay critique of the neoliberal workplace

Will Wiles

Sophie Calle, Cosplay, Deloitte, Desk, Email, Film, Goldsmiths CCA, Mirror, Neoliberalism, Office, Tim Robinson, Roleplay, Second Home, Security, SelgasCano, Shopping centre, Pilvi Takala, Tea Dance, Touching, Venice Biennale, WhatsApp, Will Wiles, Workplace



   

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