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Manchester International Festival kicks off with an eclectic array of culture
How Uzbekistan’s incredible Sun Heliocomplex brought light to Venice Biennale
Will Jennings
A biennale that makes all the right calls: MOMENTUM 13 in Norway
Art
Robert Barry
An interview with Peter Cook about Archigram, drawing & building
Delaine Le Bas is stitching stories at Newcastle Contemporary Art
Will Jennings
Burn the Sheets: an exhibition on the making of trans domesticity
Barney Pau
00142
Material, form & process: Matt Rugg’s post-industrial sculptures
Will Jennings
Alvar Aalto
,
Apollo Pavilion
,
Assemblage
,
Cable
,
Chelsea School of Art
,
Cooling towers
,
Craft
,
Design
,
Education
,
Factories
,
Fencing
,
Richard Hamilton
,
Hatton Gallery
,
Industrial
,
Industry
,
Will Jennings
,
James Joyce
,
Metal
,
Merzbarn
,
Newcastle
,
Painting
,
Peterlee
,
Eduardo Paolozzi
,
Victor Pasmore
,
Plastic
,
Gerrit Rietveld
,
Matt Rugg
,
Kurt Schwitters
,
Sculpture
,
Steel
,
Tools
,
TS Eliot
,
Harriet Sutcliffe
,
University of Newcastle
,
Wire
,
Wood
00081
UnLearning with Scotland’s Architecture Fringe
Architecture Fringe
,
Biennial
,
Collaboration
,
Community
,
Edinburgh
,
Education
,
Evolution
,
Festival
,
Land
,
Migrant’s Bureau
,
NOOMA
,
Play
,
Publication
,
Revolution
,
Tottenham
,
Union Canal
,
Unlearning
,
Value
,
Race
,
Scotland
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