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The house as self-portrait: John Soane’s words through an artistic gaze

Rochelle Roberts

The Orobie Biennial puts art into the Bergamasque Prealps

Will Jennings

recessed.space: Ground Collective communicate with silent rivers

Venice Biennale 2025: part 3, the
ugly

Venice Biennale 2025: part 2, the b
ad

Venice Biennale 2025: part 1, the good











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How Uzbekistan’s incredible Sun Heliocomplex brought light to Venice Biennale

Will Jennings

ACDF, Big Solar Furnace, Vladimir Burmakin, Giacomo Cantoni, Ekaterina Golovatyuk, Grace, Will Jennings, Armin Linke, Irena Lipene, Mirror, Science, Soviet Union, Sun Heliocomplex, Sun Institute of Material Science, Tashkent, Tashkent modernism, UNESCO, Uzbekistan, Uzbekistan Art and Culture Development Foundation, Venice Biennale



   

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