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How Uzbekistan’s incredible Sun Heliocomplex brought light to Venice Biennale

Will Jennings
A biennale that makes all the right calls: MOMENTUM 13 in Norway
Art

Robert Barry
An interview with Peter Cook about Archigram, drawing & building
Delaine Le Bas is stitching stories at Newcastle Contemporary Art

Will Jennings
Burn the Sheets: an exhibition on the making of trans domesticity

Barney Pau
Goodwood & the art of slowing down













00279
How Uzbekistan’s incredible Sun Heliocomplex brought light to Venice Biennale

Will Jennings

ACDF, Big Solar Furnace, Vladimir Burmakin, Giacomo Cantoni, Ekaterina Golovatyuk, Grace, Will Jennings, Armin Linke, Irena Lipene, Mirror, Science, Soviet Union, Sun Heliocomplex, Sun Institute of Material Science, Tashkent, Tashkent modernism, UNESCO, Uzbekistan, Uzbekistan Art and Culture Development Foundation, Venice Biennale



00127
Disobeying order: Ranjani Shettar in the Barbican Conservatory

Cindy Huang

The Barbican Centre, The Barbican Conservatory, Foliage, Greenhouse, Cindy Huang, Jungle, Leaves, Monstera,Muslin, Post-colonial, Science, Sculpture, Senses, Trees, Ranjani Shettar



00062
IMAGE CAPITAL: Architectural cameras & photographic values

Will Jennings

AI, Artificial intelligence, Bettmann Archive, Estelle Blaschke, Camera, Capital, Cars, Carpaccio, CERN, Centre Pompidou, Corbis, Data, Data storage, Deutsche Börse, Charles Ebbets, Ephemerality, Museum Folkwang, Github, Github Arctic Code Vault, Will Jennings, Gustav Ludwig, Iron Mountain, Life Magazine, Armin Linke, Lunch atop a skyscraper, Machine learning, Fondazione MAST, Memory, Mining, Photography, Plantonomy, Pyramids, Saint Ursula Cycle, Science, Scuola di Sant Orsola, Skyscraper, Smart City, Storage, Surveillance, Taj Mahal, Tar Laak Orchids, Technology, Value, Francesco Zanot



   

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