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The country’s newest stone circle has been created in Luton as a space for gathering & community
Will Jennings
An interview with Ronald Rael about 3d printed mud architecture at Desert X
Discover the culture & spaces that influence leading artists in a new book by Ben Luke
Mark Leckey & Arthur Jafa summon ghosts into an ever-shifting shopping centre
Ellie Brown
A celebration of post-war utopian architecture for the people in a new book from photographer Robert Clayton
You’re all invited to Jeremy Deller’s public party
00282
At Stanford’s Cantor Arts Center, an exhibition viscerally presents the broken environments mankind’s progress has created
Will Jennings
Adrián Balseca
,
Anthropocene
,
Matthew Brandt
,
Edward Burtynsky
,
Cantor Arts Center
,
James Casebere
,
João Castilho
,
Climate change
,
Elana Damiani
,
Environment
,
Andrew Esiebo
,
Gauri Gill
,
Noémie Goudal
,
Todd Gray
,
Will Jennings
,
Robert Kautuk
,
Land
,
Sze Tsung Nicolás Leong
,
Pablo López Luz
,
Dhruv Malhotra
,
Jessica May
,
Laura McPhee
,
Nature
,
Marshall N Price
,
Gideon Mendel
,
Photography
,
Progress
,
Science
,
Stanford University
,
Technology
,
Rajesh Vangad
,
Letha Wilson
00120
Dear Earth: shining artificial light on the climate crisis
Tim Waterman
John Berger
,
Edward Burtynsky
,
Imani Jacqueline Brown
,
Climate change
,
Forensic Architecture
,
John Gerrard
,
Donna Haraway
,
Environment
,
Hayward Gallery
,
Andreas Malm
,
Molotov cocktail
,
Richard Mosse
,
Nature
,
Oil
,
Hito Steyerl
,
Rishi Sunak
,
Anna Lowenhaupt Tsing
,
Tim Waterman
,
Yanomami people
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