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Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
Playtime at the Pavilions: Carmody Groarke at Dulwich Picture Gallery
Rob Fiehn
From Bauhaus to birdhouse: world famous architects’ avian designs for charity
In search of oracular places at the 36th Ljubljana Biennale of Graphic Arts
Lorenzo Graf
Riccardo Buck
An interview with Mike Nelson on architectural sculpture & the making of place
00282
At Stanford’s Cantor Arts Center, an exhibition viscerally presents the broken environments mankind’s progress has created
Will Jennings
Adrián Balseca
,
Anthropocene
,
Matthew Brandt
,
Edward Burtynsky
,
Cantor Arts Center
,
James Casebere
,
João Castilho
,
Climate change
,
Elana Damiani
,
Environment
,
Andrew Esiebo
,
Gauri Gill
,
Noémie Goudal
,
Todd Gray
,
Will Jennings
,
Robert Kautuk
,
Land
,
Sze Tsung Nicolás Leong
,
Pablo López Luz
,
Dhruv Malhotra
,
Jessica May
,
Laura McPhee
,
Nature
,
Marshall N Price
,
Gideon Mendel
,
Photography
,
Progress
,
Science
,
Stanford University
,
Technology
,
Rajesh Vangad
,
Letha Wilson
00120
Dear Earth: shining artificial light on the climate crisis
Tim Waterman
John Berger
,
Edward Burtynsky
,
Imani Jacqueline Brown
,
Climate change
,
Forensic Architecture
,
John Gerrard
,
Donna Haraway
,
Environment
,
Hayward Gallery
,
Andreas Malm
,
Molotov cocktail
,
Richard Mosse
,
Nature
,
Oil
,
Hito Steyerl
,
Rishi Sunak
,
Anna Lowenhaupt Tsing
,
Tim Waterman
,
Yanomami people
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