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A visit to Hauser & Wirth LA: architecture, gardens, food & art
Edinburgh Art Festival 2025: our highlights
Learning how to live at Venice Biennale
Rob Fiehn
The country’s newest stone circle has been created in Luton as a space for gathering & community
Will Jennings
An interview with Ronald Rael about 3d printed mud architecture at Desert X
Discover the culture & spaces that influence leading artists in a new book by Ben Luke
00282
At Stanford’s Cantor Arts Center, an exhibition viscerally presents the broken environments mankind’s progress has created
Will Jennings
Adrián Balseca
,
Anthropocene
,
Matthew Brandt
,
Edward Burtynsky
,
Cantor Arts Center
,
James Casebere
,
João Castilho
,
Climate change
,
Elana Damiani
,
Environment
,
Andrew Esiebo
,
Gauri Gill
,
Noémie Goudal
,
Todd Gray
,
Will Jennings
,
Robert Kautuk
,
Land
,
Sze Tsung Nicolás Leong
,
Pablo López Luz
,
Dhruv Malhotra
,
Jessica May
,
Laura McPhee
,
Nature
,
Marshall N Price
,
Gideon Mendel
,
Photography
,
Progress
,
Science
,
Stanford University
,
Technology
,
Rajesh Vangad
,
Letha Wilson
00120
Dear Earth: shining artificial light on the climate crisis
Tim Waterman
John Berger
,
Edward Burtynsky
,
Imani Jacqueline Brown
,
Climate change
,
Forensic Architecture
,
John Gerrard
,
Donna Haraway
,
Environment
,
Hayward Gallery
,
Andreas Malm
,
Molotov cocktail
,
Richard Mosse
,
Nature
,
Oil
,
Hito Steyerl
,
Rishi Sunak
,
Anna Lowenhaupt Tsing
,
Tim Waterman
,
Yanomami people
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