︎
The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
00146
Capability Brown meets AI: the perverted nature of Daniel Ambrosi
Steve Taylor
AI
,
Daniel Ambrosi
,
Artificial Intelligence
,
Beeple
,
John Berger
,
Blenheim Palace
,
Capability Brown
,
Chatsworth House
,
Compton Verney
,
DeepDream
,
Digital
,
Google
,
Landscape
,
Claude Lorrain
,
Sunil Manghani
,
Arthur I Miller
,
Nature
,
Photography
,
Picturesque
,
Robilant + Voena
,
Steffie Shields
,
Steve Taylor
,
Stowe Gardens
,
Technology
,
Uncanny valley
00120
Dear Earth: shining artificial light on the climate crisis
Tim Waterman
John Berger
,
Edward Burtynsky
,
Imani Jacqueline Brown
,
Climate change
,
Forensic Architecture
,
John Gerrard
,
Donna Haraway
,
Environment
,
Hayward Gallery
,
Andreas Malm
,
Molotov cocktail
,
Richard Mosse
,
Nature
,
Oil
,
Hito Steyerl
,
Rishi Sunak
,
Anna Lowenhaupt Tsing
,
Tim Waterman
,
Yanomami people
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