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The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
00294
Tolia Astakhishvili’s architectural excavation in Venice changes the way artists use the city
Will Jennings
Tolia Astakhishvili
,
Zurab Astakhishvili
,
Decay
,
Deconstruct
,
Dereliction
,
Thea Djorjadze
,
Drawing
,
Nicoletta Fiorucci
,
Hans Ulrich Obrist
,
Heritage
,
History
,
Will Jennings
,
Memory
,
Nicoletta Fiorucci Foundation
,
Palazzo
,
Palimpsest
,
Dylan Peirce
,
Pipework
,
Reconstruct
,
Removal
,
James Richards
,
Angelo Scattolin
,
School
,
Ettore Tito
,
Venice
,
Venice Biennale
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