︎
recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00294
Tolia Astakhishvili’s architectural excavation in Venice changes the way artists use the city
Will Jennings
Tolia Astakhishvili
,
Zurab Astakhishvili
,
Decay
,
Deconstruct
,
Dereliction
,
Thea Djorjadze
,
Drawing
,
Nicoletta Fiorucci
,
Hans Ulrich Obrist
,
Heritage
,
History
,
Will Jennings
,
Memory
,
Nicoletta Fiorucci Foundation
,
Palazzo
,
Palimpsest
,
Dylan Peirce
,
Pipework
,
Reconstruct
,
Removal
,
James Richards
,
Angelo Scattolin
,
School
,
Ettore Tito
,
Venice
,
Venice Biennale
001111
Hollaway Studios’ musical buildings for Benenden School
Acoustics
,
Benenden School
,
Buro Happold
,
Centenary Buildings
,
Choir
,
Classical
,
F51 Skate Park
,
Matthew Harrison
,
Guy Hollaway
,
Hollaway Studio
,
Landscape
,
London Philharmonic Orchestra
,
Music
,
Performance
,
Orchestra
,
School
,
Timber
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Venice
Biennale 2025: part 3,
the 
