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Venice Biennale 2025: part 2, the bad
Venice Biennale 2025: part 1, the good

Temporary & permanent culture finds a place in Middlesbrough

Will Jennings

The recessed.space highlights from Frieze Art Fair 2025

Playtime at the Pavilions: Carmody Groarke at Dulwich Picture Gallery

Rob Fiehn

From Bauhaus to birdhouse: world famous architects’ avian designs for charity











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Tolia Astakhishvili’s architectural excavation in Venice changes the way artists use the city

Will Jennings

Tolia Astakhishvili, Zurab Astakhishvili, Decay, Deconstruct, Dereliction, Thea Djorjadze, Drawing, Nicoletta Fiorucci, Hans Ulrich Obrist, Heritage, History, Will Jennings, Memory, Nicoletta Fiorucci Foundation, Palazzo, Palimpsest, Dylan Peirce, Pipework, Reconstruct, Removal, James Richards, Angelo Scattolin, School, Ettore Tito, Venice, Venice Biennale



   

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