︎
recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00074
ABBA’s endless now in a STUFISH spaceship
Laura Yuile
Jill Kennedy-McNeill
ABBA
,
Carpenters Estate
,
Jacques Derrida
,
Digital
,
Mark Fisher
,
Hauntology
,
Hologram
,
Jill Kennedy-McNeill
,
London
,
Music
,
Nostalgia
,
STUFISH
,
Technology
,
Theatre,
Laura Yuile
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Venice
Biennale 2025: part 3,
the 
