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The house as self-portrait: John Soane’s words through an artistic gaze

Rochelle Roberts

The Orobie Biennial puts art into the Bergamasque Prealps

Will Jennings

recessed.space: Ground Collective communicate with silent rivers

Venice Biennale 2025: part 3, the
ugly

Venice Biennale 2025: part 2, the b
ad

Venice Biennale 2025: part 1, the good











00074
ABBA’s endless now in a STUFISH spaceship

Laura Yuile
Jill Kennedy-McNeill

ABBA, Carpenters Estate, Jacques Derrida, Digital, Mark Fisher, Hauntology, Hologram, Jill Kennedy-McNeill, London, Music, Nostalgia, STUFISH, Technology, Theatre, Laura Yuile



   

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