︎
A new way of seeing: Thomas Huber’s landscapes
Robert Barry
Aviva Studios in Manchester: a new type of cultural space awaiting new cultural ideas
Will Jennings
Capability Brown meets AI: the perverted nature of Daniel Ambrosi
Steve Taylor
Foto Industria: playing a photographic game across Bologna
Nyima Murry
Panorama L’Aquila: rebuilding a city with culture & gastronomy
Will Jennings
Carlo Zambon
Mancunian ecologies: A Fine Toothed Comb, curated by Lubaina Himid
Paul Dobraszczyk
00142
Material, form & process: Matt Rugg’s post-industrial sculptures
Will Jennings
Alvar Aalto
,
Apollo Pavilion
,
Assemblage
,
Cable
,
Chelsea School of Art
,
Cooling towers
,
Craft
,
Design
,
Education
,
Factories
,
Fencing
,
Richard Hamilton
,
Hatton Gallery
,
Industrial
,
Industry
,
Will Jennings
,
James Joyce
,
Metal
,
Merzbarn
,
Newcastle
,
Painting
,
Peterlee
,
Eduardo Paolozzi
,
Victor Pasmore
,
Plastic
,
Gerrit Rietveld
,
Matt Rugg
,
Kurt Schwitters
,
Sculpture
,
Steel
,
Tools
,
TS Eliot
,
Harriet Sutcliffe
,
University of Newcastle
,
Wire
,
Wood
00069
Artists crossing borders: Lawrence Abu Hamdan & Reena Saini Kallat
Will Jennings
Lawrence Abu Hamdan
,
Jarred Alterman
.
Birds
,
Border
,
Boundary
,
Cable
,
Canada
,
Collage
,
Compton Verney
,
Division
,
Drone
,
Film
,
Mahdi Fleife
l,
Guns
,
Haskell Free Library
,
India
,
Israel
,
River
,
Reena Saini Kallat
,
Mexico
,
Military
,
Opera House
,
Palestine
,
Pakistan
,
Spike Island
,
USA
,
Wire
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