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A celebration of post-war utopian architecture for the people in a new book from photographer Robert Clayton
You’re all invited to Jeremy Deller’s public party
Folkestone Triennial looks deep in time, land & sea
At Stanford’s Cantor Arts Center, an exhibition viscerally presents the broken environments mankind’s progress has created
Will Jennings
Announcing Hypha Studios x recessed.space: an open call to exhibit in a postmodern icon
Manchester International Festival kicks off with an eclectic array of culture
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Delaine Le Bas is stitching stories at Newcastle Contemporary Art
Will Jennings
Body
,
Carriage
,
Costume
,
Grainger Town
,
Greggs
,
Grey's Monument
,
Damian Le Bas
,
Delaine Le Bas
,
Footprints
,
Graffiti
,
Gypsy
,
High Bridge Works
,
Identity
,
Jabornegg & Pálffy
,
Will Jennings
,
Newcastle
,
Newcastle Contemporary Art
,
Ronke Osinowo
,
Paint
,
Performance
,
Roma
,
Hḗrā Santos
,
Story
,
Stitching
,
Harriet Sutcliffe
,
Traveller
,
Warehouse
,
Writing
,
Yamamoto Keiko Rochaix
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Material, form & process: Matt Rugg’s post-industrial sculptures
Will Jennings
Alvar Aalto
,
Apollo Pavilion
,
Assemblage
,
Cable
,
Chelsea School of Art
,
Cooling towers
,
Craft
,
Design
,
Education
,
Factories
,
Fencing
,
Richard Hamilton
,
Hatton Gallery
,
Industrial
,
Industry
,
Will Jennings
,
James Joyce
,
Metal
,
Merzbarn
,
Newcastle
,
Painting
,
Peterlee
,
Eduardo Paolozzi
,
Victor Pasmore
,
Plastic
,
Gerrit Rietveld
,
Matt Rugg
,
Kurt Schwitters
,
Sculpture
,
Steel
,
Tools
,
TS Eliot
,
Harriet Sutcliffe
,
University of Newcastle
,
Wire
,
Wood
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