︎
recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00240
Chiharu Shiota weaves soft immersive poetry in the hard architecture of Kunsthalle Praha
Will Jennings
Marina Abramović
,
Black
,
Boat
,
Body
,
Concrete
,
Electricity
,
Home
,
Rebecca Horn
,
Will Jennings
,
Kunstahalle Praha
,
Piano
,
Prague
,
Psychology
,
Red
,
Schindler Seko
,
Chiharu Shiota
,
String
,
Thread
,
Trams
,
Vlatva
00202
Venice Biennale: Osman Yousefzada’s Palazzo for Immigrants
Hadeel Eltayeb
Hadeel Eltayeb
,
Fashion
,
Fondazione Berengo
,
Glass
,
Home
,
Hospitality
,
Immigration
,
Knots
,
Labour
,
Midlands
,
Mother
,
Murano
,
Production
,
Nadja Romain
,
Amin Jaffer
,
Palazzo Franchetti
,
Venice Biennale
,
Victoria & Albert Museum
,
Osman Yousefzada
00143
Mancunian ecologies: A Fine Toothed Comb, curated by Lubaina Himid
Paul Dobraszczyk
Birds
,
Birdsong
,
Rebecca Chesney
,
Cities
,
Mike Davis
,
Paul Dobraszczyk
,
Ecology
,
Friedrich Engels
,
Geology
,
Tracy Hill
,
Lubaina Himid
,
HOME
,
Karol Poznański Palace
,
Lithography
,
Łódź
,
Łódź library
,
Manchester
,
Painting
,
RSPB
,
Salford
,
Sculpture
,
Ian Simpson
,
Skyscraper
,
Magda Stawarska
,
Textile
,
Urban ecology
,
Textile
,
Tony Wilson
00018
Cities & sculpture: An interview with Ai Weiwei
Ai Weiwei
Will Jennings
Architecture
,
Activism
,
Antiques
,
Beijing
,
Cambridge
,
Craft
,
Covid
,
Documenta
,
Domestic
,
Film
,
Hong Kong
,
Home
,
Infrastructure
,
Jade
,
Will Jennings
,
Kettle’s Yard
,
Landscape
,
Lisson Gallery
,
Marble
,
Material
,
Politics
,
Protest
,
Sculpture
,
Ai Weiwei
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Venice
Biennale 2025: part 3,
the 
