︎
recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00090
Histories collide with Todd Gray’s photographic portals
Baroque
,
Body
,
Colonialism
,
Fontainebleau
,
Ghana
,
History
,
Todd Gray
,
Michael Jackso
n,
Layering
,
Lehmann Maupin
,
Music
,
Nature
,
Nude
,
Photography
,
Race
,
Allan Sekula
,
Silhouette
,
Slavery
00089
Power & photography: picturing architecture in the 19th century
Josh Allen
Josh Allen
,
Geoffrey Batchen
,
Bodleian Library
,
Calotype
,
Crystal Palace
,
Louis Daguerre
,
Daguerreotype
,
Henry Fox-Talbot
,
Great Exhibition
,
Instagram
,
Ebenezer Landellis
,
Henry Mayhew
,
Joseph Paxton
,
Photography
,
Power
,
Printing
,
Allan Sekula
,
Technology
,
Victorian
,
Weston Library
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Venice
Biennale 2025: part 3,
the 
