︎
Cerith Wyn Evans glows in MAAT, Lisbon
Will Jennings
Ursula K Le Guin’s speculative cartography
Sam Moore
The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
00231
Venice 2024: Switzerland & LAS Art Foundation fuse architecture & technology to create immersive worlds
Accademia di Belle Arti di Venezia
,
Fatima al Qadiri
,
Andrea Bellini
,
Afrofuturism
,
Centre d’Art Contemporain Genève
,
Civilisation
,
Guerreiro do Divino Amor
,
Digital
,
Immersive
,
LAS Art Foundation
,
Josèfa Ntjam
,
Ocean
,
Rome
,
Science fiction
,
Space
,
Subaqua
,
Technology
,
Venice Biennale
,
Worldbuilding
,
Switzerland
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