︎
recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00244
Places speaking their mind through art: Edel Assanti looks at our relationship to nature
Will Jennings
David Abram
,
Edel Assanti
,
Roland Barthes
,
Communication
,
Mirtha Dermisache
,
Each Place Its Own Mind
,
Enlightenment
,
Jeremy Epstein
,
Noémie Goudal
,
Sky Hopinka
,
Anna Hulačová
,
Marguerite Humeau
,
Indigeneity
,
Indigenous art
,
Will Jennings
,
Bronwyn Katz
,
Landscape
,
Language
,
Kat Lyons
,
Nature
,
Yukultji Napangati
,
The Spell of the Sensuous
,
Text
,
Emmanuel Vander Auwera
,
Writing
00022
Deeper than surface: an interview with Navine G. Khan-Dossos
Navine G. Khan-Dossos
Will Jennings
Athens
,
Athens Bienniale
,
CCTV
,
Communication
,
Crossrail
,
Decoration
,
Desert
,
Geometry
,
House of Saint Barnabas
,
Murals
,
Navine Dossos
,
Kuwait
,
Landscape
,
Language
,
Nature
,
Orientalism
,
Ottoman
,
Painting
,
Palm Tree
,
Render
,
Sculpture
,
Walter Segal
,
Surveillance
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Venice
Biennale 2025: part 3,
the 
