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Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
Playtime at the Pavilions: Carmody Groarke at Dulwich Picture Gallery
Rob Fiehn
From Bauhaus to birdhouse: world famous architects’ avian designs for charity
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Finding hope within Hurvin Anderson’s barbershops
Jelena Sofronijevic
Abstract
,
Hurvin Anderson
,
Barbers
,
Barbershop
,
Barbershop Chronicles
,
Birmingham
,
Caribbean
,
Hastings Contemporary
,
Identity
,
Impressionism
,
Inua Ellams
,
Kistefos
,
Painting
,
Postcolonial
,
Salon
,
Social infrastructure
,
Jelena Sofronijevic
,
The Hepworth Wakefield
,
The National Theatre
,
Thomas Dane Gallery
,
Windrush
00065
Seduction & destruction: the paintings of Caragh Thuring
Will Wiles
Brick
,
Caragh Thuring
,
Cold War
,
Hastings Contemporary
,
Industry
,
Grand Tour
,
Landscape
,
Lava
,
Material
,
Matter
,
Painting
,
Sex
,
Submarine
,
Thomas Dane Gallery
,
Volcano
,
Wall
,
Will Wiles
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INDEX
︎
Venice
Biennale 2025: part 2,
the b
Venice
Biennale 2025: part 1,
the good
