︎
recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00276
Delaine Le Bas is stitching stories at Newcastle Contemporary Art
Will Jennings
Body
,
Carriage
,
Costume
,
Grainger Town
,
Greggs
,
Grey's Monument
,
Damian Le Bas
,
Delaine Le Bas
,
Footprints
,
Graffiti
,
Gypsy
,
High Bridge Works
,
Identity
,
Jabornegg & Pálffy
,
Will Jennings
,
Newcastle
,
Newcastle Contemporary Art
,
Ronke Osinowo
,
Paint
,
Performance
,
Roma
,
Hḗrā Santos
,
Story
,
Stitching
,
Harriet Sutcliffe
,
Traveller
,
Warehouse
,
Writing
,
Yamamoto Keiko Rochaix
00107
Finding hope within Hurvin Anderson’s barbershops
Jelena Sofronijevic
Abstract
,
Hurvin Anderson
,
Barbers
,
Barbershop
,
Barbershop Chronicles
,
Birmingham
,
Caribbean
,
Hastings Contemporary
,
Identity
,
Impressionism
,
Inua Ellams
,
Kistefos
,
Painting
,
Postcolonial
,
Salon
,
Social infrastructure
,
Jelena Sofronijevic
,
The Hepworth Wakefield
,
The National Theatre
,
Thomas Dane Gallery
,
Windrush
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Venice
Biennale 2025: part 3,
the 
