︎
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
Playtime at the Pavilions: Carmody Groarke at Dulwich Picture Gallery
Rob Fiehn
From Bauhaus to birdhouse: world famous architects’ avian designs for charity
00203
Our architectural highlights from the Royal Academy Summer Exhibition
Hurvin Anderson
,
Assemble
,
Bob and Roberta Smith
,
Richard Chivers
,
Esther Cohen
,
Claire Douglass
,
Celia Hegedus
,
Daniel Hewitt
,
Matt Lee
,
Lee Maelzer
,
Jock McFadyen
,
Martin Migeon
,
Cornelia Parker
,
Catherine Purves
,
Baldvin Ringsted
,
Royal Academy of Arts
,
Kate Sherman
,
Summer Exhibition
,
Peter Wylie
,
Carey Young
00172
Soulscapes: diasporic & emotional connections to landscape
Jelena Sofronijevic
Africa
,
Njideka Akunyili Crosby
,
Hurvin Anderson
,
Lisa Anderson
,
Black
,
Black Cultural Archives
,
Phoebe Boswell
,
Britain
,
Brixton
,
Diaspora
,
Kimathi Donkor
,
Dulwich Picture Gallery
,
EVEWRIGHT
,
Jermaine Francis
,
Isaac Julien
,
Christina Kimeze
,
Landscape
,
London
,
Che Lovelace
,
Kimathi Mafafo
,
Mónica de Miranda
,
Nengi Omuku
,
Ravelle Pillay
,
Ingrid Pollard
,
Jelena Sofronijevic
,
Bolanle Tajudeen
,
Van Gogh House
,
Alberta Whittle
00107
Finding hope within Hurvin Anderson’s barbershops
Jelena Sofronijevic
Abstract
,
Hurvin Anderson
,
Barbers
,
Barbershop
,
Barbershop Chronicles
,
Birmingham
,
Caribbean
,
Hastings Contemporary
,
Identity
,
Impressionism
,
Inua Ellams
,
Kistefos
,
Painting
,
Postcolonial
,
Salon
,
Social infrastructure
,
Jelena Sofronijevic
,
The Hepworth Wakefield
,
The National Theatre
,
Thomas Dane Gallery
,
Windrush
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INDEX
︎
Venice
Biennale 2025: part 2,
the b
Venice
Biennale 2025: part 1,
the good
