︎
recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00198
Creation from collapse at Towner Eastbourne: Emma Stibbon’s shoreline research
Blair Kern
Anthropocene
,
Chalk
,
Cliffs
,
Climate change
,
Coast
,
Coastline
,
Collapse
,
Ice
,
Land
,
Eastbourne
,
Erosion
,
Blair Kern
,
Norway
,
Ocean
,
Postcards
,
Sea
,
Emma Stibbon
,
Sussex
,
Svalbard
,
Tides
,
Towner Eastbourne
,
Waves
00194
Venice 2024: an interview with Australia’s Golden Lion winner Archie Moore & architect Kevin O’Brien
Will Jennings
Aborigine
,
Archive
,
Australia
,
Ellie Buttrose
,
BVN Architecture
,
Chalk
,
Coroner
,
Darkness
,
Exhibition design
,
Family
,
Family tree
,
First Nation
,
Indigenous
,
Legal
,
Lighting
,
Archie Moore
,
Kevin O'Brien
,
Sky
,
Stars
,
Venice Biennale
,
Water
,
Window
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Venice
Biennale 2025: part 3,
the 
