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A celebration of post-war utopian architecture for the people in a new book from photographer Robert Clayton
You’re all invited to Jeremy Deller’s public party
Folkestone Triennial looks deep in time, land & sea
At Stanford’s Cantor Arts Center, an exhibition viscerally presents the broken environments mankind’s progress has created

Will Jennings
Announcing Hypha Studios x recessed.space: an open call to exhibit in a postmodern icon
Manchester International Festival kicks off with an eclectic array of culture













00194
Venice 2024: an interview with Australia’s Golden Lion winner Archie Moore & architect Kevin O’Brien

Will Jennings

Aborigine, Archive, Australia, Ellie Buttrose, BVN Architecture, Chalk, Coroner, Darkness, Exhibition design, Family, Family tree, First Nation, Indigenous, Legal, Lighting, Archie Moore, Kevin O'Brien, Sky, Stars, Venice Biennale, Water, Window



00114
In-between design & art: the sinister sci-fi of Audrey Large & Théophile Blandet

Will Jennings

3D printing, Baroque, BRH+, Gian Lorenzo Bernini, Théophile Blandet, Barbara Brondi, Centre d’art Contemporain Genève, Chair, Craft, Design, Digital, Floor, France, Furniture, Geneva, HR Giger, Industrial, Will Jennings, Audrey Large, lighting, Melting, Morphosis, Ovid, Plastic, Product design, Marco Rainò, Rococo, Sculpture, Suminagashi, Switzerland, Wood



   

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