︎
The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
00233
Venice 2024: the best of the rest
James Lee Byars
,
Italo Calvino
,
Canada
,
Wong Weng Cheong
,
Croatia
,
Czech Republic
,
Finland
,
Fondazione Querini Stampalia
,
Vlatka Horvat
,
Ireland
,
Istituto Veneto di Scienze Lettere ed Arti
,
Emilia Kabakov
,
Ilya Kabakov
,
K21–Kunstsammlung Nordrhein-Westfalen
,
Kapwani Kiwanga
,
Eva Koťátková
,
Seung-taek Lee
,
Pia Lindman
,
Macau
,
Julie Mehretu
,
Palazzo Grassi
,
Romania
,
Vidha Saumya
,
Șerban Savu
,
Jimali Singh Soin
,
David Soin Tappeser
,
Kaisa Sööt
,
Thaddaeus Ropac
,
Venice Biennale
,
Eimear Walshe
,
Michael Werner
,
Jenni-Juulia Wallinheimo-Heimonen
00124
Edinburgh Art Festival: a creative journey through the city’s buildings
Will Jennings
Lawrence Abu Hamdan
,
Aqsa Arif
,
Crystal Bennes
,
Birmingham
,
Sean Burns
,
Calton Hill
,
Collective
,
Colonisation
,
Andrew Cranston
,
Czech Republic
,
Decolonisation
,
Dorothy Towers
,
Edinburgh
,
Edinburgh Art Festival
,
Edinburgh Sculpture Workshop
,
Empire
,
Feminism
,
Film
,
French Institute
,
Installation
,
Ireland
,
Markéta Luskačová
,
Haven for Artists
,
Ingleby Gallery
,
Will Jennings
,
Adam Lewis Jacob
,
Jesse Jones
,
Rudy Kanhye
,
Ryosuke Kiyasu
,
Tarek Lakhrissi
,
Lebanon
,
Richard Maguire
,
Painting
,
Photography
,
Platform
,
Stills
,
Sutherland Hussey Harris Architects
,
Talbot Rice
,
Sebastian Thomas
,
Sculpture
,
Trinity Apse
,
Rabindranath X Bhose
,
Witch
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