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An interview with Sumayya Vally on architecture, community & Ibraaz

Swinging in the gallery: art meets golf at Battersea Arts Centre

An interview with Lord Cholmondeley on Houghton Hall’s history & future of contemporary art


Will Jennings

Listening to 17,000-year-old architecture: Oliver Beer at Thaddaeus Ropa
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Will Jennings

Curiosity triggered: Daiga Grantina’s sculptures dance with architecture at the Mead Gallery

Isabel de Vasconcellos
The Grand in Folkestone: ambitions plans for a Barbican-by-the-sea

Will Jennings










00233
Venice 2024: the best of the rest

James Lee Byars, Italo Calvino, Canada, Wong Weng Cheong, Croatia, Czech Republic, Finland, Fondazione Querini Stampalia, Vlatka Horvat, Ireland, Istituto Veneto di Scienze Lettere ed Arti, Emilia Kabakov, Ilya Kabakov, K21–Kunstsammlung Nordrhein-Westfalen, Kapwani Kiwanga, Eva Koťátková, Seung-taek Lee, Pia Lindman, Macau, Julie Mehretu, Palazzo Grassi, Romania, Vidha Saumya, Șerban Savu, Jimali Singh Soin, David Soin Tappeser, Kaisa Sööt, Thaddaeus Ropac, Venice Biennale, Eimear Walshe, Michael Werner, Jenni-Juulia Wallinheimo-Heimonen



00124
Edinburgh Art Festival: a creative journey through the city’s buildings

Will Jennings

Lawrence Abu Hamdan, Aqsa Arif, Crystal Bennes, Birmingham, Sean Burns, Calton Hill, Collective, Colonisation, Andrew Cranston, Czech Republic, Decolonisation, Dorothy Towers, Edinburgh, Edinburgh Art Festival, Edinburgh Sculpture Workshop, Empire, Feminism, Film, French Institute, Installation, Ireland, Markéta Luskačová, Haven for Artists, Ingleby Gallery, Will Jennings, Adam Lewis Jacob, Jesse Jones, Rudy Kanhye, Ryosuke Kiyasu, Tarek Lakhrissi, Lebanon, Richard Maguire, Painting, Photography, Platform, Stills, Sutherland Hussey Harris Architects, Talbot Rice, Sebastian Thomas, Sculpture, Trinity Apse, Rabindranath X Bhose, Witch



   

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