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Manchester International Festival kicks off with an eclectic array of culture
How Uzbekistan’s incredible Sun Heliocomplex brought light to Venice Biennale
Will Jennings
A biennale that makes all the right calls: MOMENTUM 13 in Norway
Art
Robert Barry
An interview with Peter Cook about Archigram, drawing & building
Delaine Le Bas is stitching stories at Newcastle Contemporary Art
Will Jennings
Burn the Sheets: an exhibition on the making of trans domesticity
Barney Pau
00201
Jupiter Artland: a Scottish landscape packed with uncanny, playful & enormous art
Will Jennings
Laura Aldridge
,
Amethyst
,
Phyllida Barlow
,
Bonnington House
,
Pablo Bronstein
,
Henry Castle
,
Cemetery
,
Ceramics
,
Nathan Coley
,
Edinburgh
,
Edinburgh Art Festival
,
Folly
,
Forest
,
Fountain
,
Anya Gallaccio
,
Andy Goldsworthy
,
Antony Gormley
,
Gothic
,
Graveyard
,
Grotto
,
Ian Hamilton Finlay
,
Jacobean
,
Charles Jencks
,
Will Jennings
,
Jupiter
,
Jupiter Artland
,
Anish Kapoor
,
Landscape
,
Peter Liversidge
,
Rachel Maclean
,
Modern Institute
,
Painting
,
Cornelia Parker
,
Rock
,
Andrew Sims
,
Stone
,
Temple
,
Trees
,
Marc Quinn
,
Joana Vasconcelos
,
Water
,
Nicky Wilson
,
Robert Wilson
,
Woods
00191
Venice 2024: Robert Zhao Renhui’s study of a Singaporean secondary forest
Animals
,
Coexistence
,
Colonisation
,
Edgeland
,
Film
,
Forest
,
Habitation
,
Military
,
Nature
,
Photography
,
Secondary forest
,
Sculpture
,
Singapore
,
Venice Biennale
,
Robert Zhao Renhui
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