︎
recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00172
Soulscapes: diasporic & emotional connections to landscape
Jelena Sofronijevic
Africa
,
Njideka Akunyili Crosby
,
Hurvin Anderson
,
Lisa Anderson
,
Black
,
Black Cultural Archives
,
Phoebe Boswell
,
Britain
,
Brixton
,
Diaspora
,
Kimathi Donkor
,
Dulwich Picture Gallery
,
EVEWRIGHT
,
Jermaine Francis
,
Isaac Julien
,
Christina Kimeze
,
Landscape
,
London
,
Che Lovelace
,
Kimathi Mafafo
,
Mónica de Miranda
,
Nengi Omuku
,
Ravelle Pillay
,
Ingrid Pollard
,
Jelena Sofronijevic
,
Bolanle Tajudeen
,
Van Gogh House
,
Alberta Whittle
00050
Echoing the architecture: Trevor Mathison’s sculpted sound
Robert Barry
Martina Attille
,
Reece Auguiste
,
John Akomfrah
,
Assemble
,
Robert Barry
,
Maureen Blackwood
,
Appau Jnr Boakye-Yiadom
,
Ceddo Film and Video Workshop
,
Collage
,
Dubmorphology
,
Film
,
Oliver Fuke
,
Edward George
,
Goldsmiths CCA
,
Lina Gopaul
,
Handsworth Songs
,
Isaac Julien
,
Nadine Marsh-Edwards
,
Trevor Mathison
,
Music
,
Patina
,
Recording
,
Sankofa Film and Video Collective
,
Gary Stewart
,
Sonic
,
Sound
,
Strata
,
Paloma Strelitz
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Venice
Biennale 2025: part 3,
the 
