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Venice Biennale 2025: part 2, the b
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Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
Playtime at the Pavilions: Carmody Groarke at Dulwich Picture Gallery
Rob Fiehn
From Bauhaus to birdhouse: world famous architects’ avian designs for charity
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Edinburgh Art Festival: a creative journey through the city’s buildings
Will Jennings
Lawrence Abu Hamdan
,
Aqsa Arif
,
Crystal Bennes
,
Birmingham
,
Sean Burns
,
Calton Hill
,
Collective
,
Colonisation
,
Andrew Cranston
,
Czech Republic
,
Decolonisation
,
Dorothy Towers
,
Edinburgh
,
Edinburgh Art Festival
,
Edinburgh Sculpture Workshop
,
Empire
,
Feminism
,
Film
,
French Institute
,
Installation
,
Ireland
,
Markéta Luskačová
,
Haven for Artists
,
Ingleby Gallery
,
Will Jennings
,
Adam Lewis Jacob
,
Jesse Jones
,
Rudy Kanhye
,
Ryosuke Kiyasu
,
Tarek Lakhrissi
,
Lebanon
,
Richard Maguire
,
Painting
,
Photography
,
Platform
,
Stills
,
Sutherland Hussey Harris Architects
,
Talbot Rice
,
Sebastian Thomas
,
Sculpture
,
Trinity Apse
,
Rabindranath X Bhose
,
Witch
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INDEX
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Venice
Biennale 2025: part 2,
the b
Venice
Biennale 2025: part 1,
the good
