︎
The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
00124
Edinburgh Art Festival: a creative journey through the city’s buildings
Will Jennings
Lawrence Abu Hamdan
,
Aqsa Arif
,
Crystal Bennes
,
Birmingham
,
Sean Burns
,
Calton Hill
,
Collective
,
Colonisation
,
Andrew Cranston
,
Czech Republic
,
Decolonisation
,
Dorothy Towers
,
Edinburgh
,
Edinburgh Art Festival
,
Edinburgh Sculpture Workshop
,
Empire
,
Feminism
,
Film
,
French Institute
,
Installation
,
Ireland
,
Markéta Luskačová
,
Haven for Artists
,
Ingleby Gallery
,
Will Jennings
,
Adam Lewis Jacob
,
Jesse Jones
,
Rudy Kanhye
,
Ryosuke Kiyasu
,
Tarek Lakhrissi
,
Lebanon
,
Richard Maguire
,
Painting
,
Photography
,
Platform
,
Stills
,
Sutherland Hussey Harris Architects
,
Talbot Rice
,
Sebastian Thomas
,
Sculpture
,
Trinity Apse
,
Rabindranath X Bhose
,
Witch
00069
Artists crossing borders: Lawrence Abu Hamdan & Reena Saini Kallat
Will Jennings
Lawrence Abu Hamdan
,
Jarred Alterman
.
Birds
,
Border
,
Boundary
,
Cable
,
Canada
,
Collage
,
Compton Verney
,
Division
,
Drone
,
Film
,
Mahdi Fleife
l,
Guns
,
Haskell Free Library
,
India
,
Israel
,
River
,
Reena Saini Kallat
,
Mexico
,
Military
,
Opera House
,
Palestine
,
Pakistan
,
Spike Island
,
USA
,
Wire
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