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From Bauhaus to birdhouse: world famous architects’ avian designs for charity
In search of oracular places at the 36th Ljubljana Biennale of Graphic Arts
Lorenzo Graf
Riccardo Buck
An interview with Mike Nelson on architectural sculpture & the making of place
Hypha Studios x recessed.space: Nina Oltarzewska is turning art inside
out
Will Jennings
Our highlights from Berlin Art Week 2025
Post-industrial clay: the British Ceramics Biennial in Stoke-on-Trent
Veronica Simpson
00201
Jupiter Artland: a Scottish landscape packed with uncanny, playful & enormous art
Will Jennings
Laura Aldridge
,
Amethyst
,
Phyllida Barlow
,
Bonnington House
,
Pablo Bronstein
,
Henry Castle
,
Cemetery
,
Ceramics
,
Nathan Coley
,
Edinburgh
,
Edinburgh Art Festival
,
Folly
,
Forest
,
Fountain
,
Anya Gallaccio
,
Andy Goldsworthy
,
Antony Gormley
,
Gothic
,
Graveyard
,
Grotto
,
Ian Hamilton Finlay
,
Jacobean
,
Charles Jencks
,
Will Jennings
,
Jupiter
,
Jupiter Artland
,
Anish Kapoor
,
Landscape
,
Peter Liversidge
,
Rachel Maclean
,
Modern Institute
,
Painting
,
Cornelia Parker
,
Rock
,
Andrew Sims
,
Stone
,
Temple
,
Trees
,
Marc Quinn
,
Joana Vasconcelos
,
Water
,
Nicky Wilson
,
Robert Wilson
,
Woods
00159
Antony Gormley’s Body Politic, in the artist’s own words
Body
,
Civil engineering
,
Clay
,
Concrete
,
Corten steel
,
Engineering
,
Geometry
,
Antony Gormley
,
Manufacturing
,
Napoleon
,
Bruce Nauman
,
Process
,
Sculpture
,
Steel
,
Threshold
,
White Cube
00024
Iconicon: The Angel of the North
John Grindrod
Angel of the North, Faber, Gateshead, Frank Gehry, Antony Gormley, John Grindrod, Guggenheim Bilbao, Iconicon, Public art, Regeneration, Sculpture
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